Electro-Voice RE320 vs Rode NT1-A
A side-by-side look at Electro-Voice RE320 and Rode NT1-A for podcasters: pricing, features, and where each one wins.
Electro-Voice RE320
Variable-D dynamic that killed proximity effect before it was cool
See site
Check price on Amazon
Rode NT1-A
One of the quietest studio condensers ever built, at an honest price
See site
Check price on AmazonAt a glance
| Electro-Voice RE320 | Rode NT1-A | |
|---|---|---|
| Starting price | See site | See site |
| Free plan | No | No |
| Free trial | No | No |
| Best for | Podcasters and broadcasters who move around while recording and need consistent tonal response from varying distances | Podcasters in treated rooms who want pristine, low-noise recordings with excellent clarity |
Key features
Electro-Voice RE320
- Cardioid dynamic XLR with Variable-D proximity effect control
- Dual-curve frequency switch: general (45 Hz to 18 kHz) and kick (30 Hz to 18 kHz)
- Output impedance 150 ohms balanced
- Humbucking coil for electromagnetic interference rejection
- Neodymium capsule for high sensitivity
- No phantom power required
Rode NT1-A
- 10-year warranty from RODE
- Frequency response 20 Hz to 20 kHz
- Cardioid condenser XLR, requires 48V phantom power
- Self-noise 5 dB(A) - ultra-low noise floor
- 1-inch gold-sputtered capsule
- Shockmount, pop filter, and dust bag included
Pros and cons
Electro-Voice RE320
Pros
- Variable-D technology provides consistent tone across mic distances
- Dual-curve switch doubles as a broadcast and instrument mic
- Humbucking coil rejects interference from studio equipment
- Trusted by broadcast engineers and podcast veterans alike
Cons
- Requires a preamp with solid clean gain like most dynamic mics
- Heavier form factor than handheld-style dynamics
- Less brand recognition than Shure or RODE for new buyers
Rode NT1-A
Pros
- 5 dB(A) self-noise is exceptional at any price point
- Generous included accessories - usable out of the box
- Warm, present vocal sound with controlled low-end
- RODE 10-year warranty
Cons
- Requires a treated room - captures ambient noise with equal fidelity
- Requires 48V phantom power
- Presence boost can be harsh on bright or sibilant voices
The verdict
Choose Electro-Voice RE320 if
Podcasters and broadcasters who move around while recording and need consistent tonal response from varying distances.
The RE320 solves the proximity effect problem in a way most podcasters do not appreciate until they have lived with a mic that does not. Variable-D means your voice sounds consistent whether you are 4 inches or 10 inches from…
Choose Rode NT1-A if
Podcasters in treated rooms who want pristine, low-noise recordings with excellent clarity.
The 5 dB(A) self-noise is the headline spec and it is legitimately impressive - you can hear the floor of digital silence rather than the microphone. The NT1-A rewards good rooms: it picks up everything, so reflections and noise will…