Electro-Voice RE320

Variable-D dynamic that killed proximity effect before it was cool

Best for: Podcasters and broadcasters who move around while recording and need consistent tonal response from varying distances

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The RE320 is a large-diaphragm cardioid dynamic microphone featuring Electro-Voice's Variable-D technology, which maintains consistent tonal response as the source moves on and off axis - reducing the proximity effect that causes bass buildup when speaking close to a microphone. It includes a dual-curve frequency switch (general voice and kick drum curves). Impedance is 150 ohms balanced. No phantom power required.

Key features

  • Cardioid dynamic XLR with Variable-D proximity effect control
  • Dual-curve frequency switch: general (45 Hz to 18 kHz) and kick (30 Hz to 18 kHz)
  • Output impedance 150 ohms balanced
  • Humbucking coil for electromagnetic interference rejection
  • Neodymium capsule for high sensitivity
  • No phantom power required

Our take

The RE320 solves the proximity effect problem in a way most podcasters do not appreciate until they have lived with a mic that does not. Variable-D means your voice sounds consistent whether you are 4 inches or 10 inches from the capsule - a real advantage for interview-style shows or anyone who is not mic-trained. The dual-curve switch is genuinely useful for producers who also track drums. It is not the most hyped microphone on the internet, but working broadcasters trust it for a reason.

Pros

  • Variable-D technology provides consistent tone across mic distances
  • Dual-curve switch doubles as a broadcast and instrument mic
  • Humbucking coil rejects interference from studio equipment
  • Trusted by broadcast engineers and podcast veterans alike

Cons

  • Requires a preamp with solid clean gain like most dynamic mics
  • Heavier form factor than handheld-style dynamics
  • Less brand recognition than Shure or RODE for new buyers

Electro-Voice RE320 alternatives

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