Electro-Voice RE320 vs Shure SM57
A side-by-side look at Electro-Voice RE320 and Shure SM57 for podcasters: pricing, features, and where each one wins.
Electro-Voice RE320
Variable-D dynamic that killed proximity effect before it was cool
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Shure SM57
Studio workhorse that captures instruments as cleanly as it does voice
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Check price on AmazonAt a glance
| Electro-Voice RE320 | Shure SM57 | |
|---|---|---|
| Starting price | See site | See site |
| Free plan | No | No |
| Free trial | No | No |
| Best for | Podcasters and broadcasters who move around while recording and need consistent tonal response from varying distances | Podcasters who also record instruments and want one mic that does both jobs |
Key features
Electro-Voice RE320
- Cardioid dynamic XLR with Variable-D proximity effect control
- Dual-curve frequency switch: general (45 Hz to 18 kHz) and kick (30 Hz to 18 kHz)
- Output impedance 150 ohms balanced
- Humbucking coil for electromagnetic interference rejection
- Neodymium capsule for high sensitivity
- No phantom power required
Shure SM57
- Dynamic cardioid XLR, no phantom power needed
- Frequency response 40 Hz to 15 kHz
- Contoured presence boost for instruments and voice
- Flat grille allows extremely close mic placement
- Output impedance 310 ohms
- Pneumatic shock mount system reduces handling noise
Pros and cons
Electro-Voice RE320
Pros
- Variable-D technology provides consistent tone across mic distances
- Dual-curve switch doubles as a broadcast and instrument mic
- Humbucking coil rejects interference from studio equipment
- Trusted by broadcast engineers and podcast veterans alike
Cons
- Requires a preamp with solid clean gain like most dynamic mics
- Heavier form factor than handheld-style dynamics
- Less brand recognition than Shure or RODE for new buyers
Shure SM57
Pros
- Versatile - voice and instruments equally well
- Same legendary build quality and warranty as the SM58
- Outstanding off-axis rejection in loud environments
- No phantom power, runs on anything
Cons
- Flat grille means plosives hit harder - pop filter is more important
- Slightly less presence boost for vocals compared to SM58
- Frequency ceiling at 15 kHz limits high-end air on bright voices
The verdict
Choose Electro-Voice RE320 if
Podcasters and broadcasters who move around while recording and need consistent tonal response from varying distances.
The RE320 solves the proximity effect problem in a way most podcasters do not appreciate until they have lived with a mic that does not. Variable-D means your voice sounds consistent whether you are 4 inches or 10 inches from…
Choose Shure SM57 if
Podcasters who also record instruments and want one mic that does both jobs.
The SM57 is technically an instrument mic, but its tight polar pattern and rejection characteristics make it a solid podcasting mic for anyone who treats it right. The flat grille means you have to work it closer than the SM58,…