Electro-Voice RE20 vs Samson Q2U
A side-by-side look at Electro-Voice RE20 and Samson Q2U for podcasters: pricing, features, and where each one wins.
Electro-Voice RE20
The radio broadcaster's mic that has been in studios since 1968
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Check price on Amazon
Samson Q2U
The entry-level dual-output dynamic that over-delivers for the money
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Check price on AmazonAt a glance
| Electro-Voice RE20 | Samson Q2U | |
|---|---|---|
| Starting price | See site | See site |
| Free plan | No | No |
| Free trial | No | No |
| Best for | Broadcast professionals and serious podcasters who want proximity-effect-free dynamics and radio-quality vocal tone | First-time podcasters who want USB convenience and XLR upgrade flexibility without spending much |
Key features
Electro-Voice RE20
- Dynamic cardioid, XLR only
- 45 Hz - 18 kHz frequency response
- Variable-D technology for proximity effect elimination
- Integral humbucking coil for line-noise rejection
- Bass tilt-down switch on body
- Large-diaphragm element for low self-noise
Samson Q2U
- Dynamic cardioid, USB-C and XLR simultaneous output
- 50 Hz - 15 kHz frequency response, 16-bit / 48kHz USB
- 3.5mm zero-latency headphone output
- Mute switch on the body
- Includes tripod stand, windscreen, USB and XLR cables
- Maximum SPL 148 dB
Pros and cons
Electro-Voice RE20
Pros
- Variable-D technology: minimal proximity effect regardless of distance
- Exceptionally consistent tone across different mic positions
- Humbucking coil eliminates interference from studio equipment
- Industry-standard reference quality for voice
Cons
- Expensive for a dynamic - significantly pricier than Rode or Shure alternatives
- Heavy - needs a quality stand or heavy-duty boom arm
- Standard beige finish looks dated (black version is a separate ASIN)
Samson Q2U
Pros
- Exceptional value - ships with everything you need
- USB-C and XLR outputs let you start simple and scale up
- Dynamic capsule tolerates untreated rooms well
- Built-in mute and headphone monitoring
Cons
- Handheld form factor looks out of place on a studio boom arm
- 16-bit USB - not 24-bit like higher-tier options
- Frequency response tops out at 15kHz (some air missing)
The verdict
Choose Electro-Voice RE20 if
Broadcast professionals and serious podcasters who want proximity-effect-free dynamics and radio-quality vocal tone.
Variable-D is the defining spec here - you can move around the RE20, speak off-center, or position it slightly differently from session to session and the tone stays remarkably consistent. That consistency is why radio stations still have racks of…
Choose Samson Q2U if
First-time podcasters who want USB convenience and XLR upgrade flexibility without spending much.
The Q2U is genuinely the best microphone recommendation for someone starting from zero. The dynamic capsule forgives untreated rooms, the USB output sounds solid at 16-bit/48kHz, and the fact that you can later plug it into a proper interface via…