Blue Yeti vs Electro-Voice RE320
A side-by-side look at Blue Yeti and Electro-Voice RE320 for podcasters: pricing, features, and where each one wins.
Blue Yeti
The triple-capsule USB condenser that made podcasting accessible to everyone
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Electro-Voice RE320
Variable-D dynamic that killed proximity effect before it was cool
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Check price on AmazonAt a glance
| Blue Yeti | Electro-Voice RE320 | |
|---|---|---|
| Starting price | See site | See site |
| Free plan | No | No |
| Free trial | No | No |
| Best for | Content creators who want an all-in-one USB condenser with multiple pickup patterns for different recording scenarios | Podcasters and broadcasters who move around while recording and need consistent tonal response from varying distances |
Key features
Blue Yeti
- 3.5mm headphone output for zero-latency monitoring
- Triple-capsule condenser, USB only
- Four polar patterns: cardioid, bidirectional, omnidirectional, stereo
- 16-bit / 48kHz USB audio
- Gain control, mute button, headphone volume on body
- Blue VO!CE software effects included
Electro-Voice RE320
- Cardioid dynamic XLR with Variable-D proximity effect control
- Dual-curve frequency switch: general (45 Hz to 18 kHz) and kick (30 Hz to 18 kHz)
- Output impedance 150 ohms balanced
- Humbucking coil for electromagnetic interference rejection
- Neodymium capsule for high sensitivity
- No phantom power required
Pros and cons
Blue Yeti
Pros
- Four polar patterns in one USB mic - very versatile
- Bidirectional mode for easy two-person in-room recording
- No audio interface required - fully plug-and-play
- Proven, widely supported with lots of third-party accessories
Cons
- Condenser capsule picks up room noise and reflections
- Bulky - the included stand takes up significant desk space
- 16-bit USB is behind the ATR2100x-USB's 24-bit spec
- Blue VO!CE software effects can sound processed/unnatural
Electro-Voice RE320
Pros
- Variable-D technology provides consistent tone across mic distances
- Dual-curve switch doubles as a broadcast and instrument mic
- Humbucking coil rejects interference from studio equipment
- Trusted by broadcast engineers and podcast veterans alike
Cons
- Requires a preamp with solid clean gain like most dynamic mics
- Heavier form factor than handheld-style dynamics
- Less brand recognition than Shure or RODE for new buyers
The verdict
Choose Blue Yeti if
Content creators who want an all-in-one USB condenser with multiple pickup patterns for different recording scenarios.
The Yeti's longevity is earned - four polar patterns in a USB mic at this price is genuinely useful, and the bidirectional mode for two-person in-room interviews remains one of the easiest ways to capture a conversation without buying two…
Choose Electro-Voice RE320 if
Podcasters and broadcasters who move around while recording and need consistent tonal response from varying distances.
The RE320 solves the proximity effect problem in a way most podcasters do not appreciate until they have lived with a mic that does not. Variable-D means your voice sounds consistent whether you are 4 inches or 10 inches from…