Audio-Technica BP40 vs Electro-Voice RE320
A side-by-side look at Audio-Technica BP40 and Electro-Voice RE320 for podcasters: pricing, features, and where each one wins.
Audio-Technica BP40
Large-diaphragm dynamic with a hypercardioid pattern for demanding broadcast environments
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Electro-Voice RE320
Variable-D dynamic that killed proximity effect before it was cool
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Check price on AmazonAt a glance
| Audio-Technica BP40 | Electro-Voice RE320 | |
|---|---|---|
| Starting price | See site | See site |
| Free plan | No | No |
| Free trial | No | No |
| Best for | Broadcast and radio-style podcasters who want the noise rejection of a dynamic with more diaphragm surface than a standard moving coil | Podcasters and broadcasters who move around while recording and need consistent tonal response from varying distances |
Key features
Audio-Technica BP40
- Frequency response 50 Hz to 16 kHz
- Large-diaphragm hypercardioid dynamic XLR, no phantom power required
- 37mm moving-coil capsule on internal flexible suspension
- Switchable 100 Hz low-frequency roll-off
- Output impedance 450 ohms, weight 632 g
- Deep null points at 120 and 240 degrees off-axis
Electro-Voice RE320
- Cardioid dynamic XLR with Variable-D proximity effect control
- Dual-curve frequency switch: general (45 Hz to 18 kHz) and kick (30 Hz to 18 kHz)
- Output impedance 150 ohms balanced
- Humbucking coil for electromagnetic interference rejection
- Neodymium capsule for high sensitivity
- No phantom power required
Pros and cons
Audio-Technica BP40
Pros
- Hypercardioid pattern provides exceptional off-axis rejection
- Large diaphragm dynamics capture more detail than small-capsule alternatives
- Internal mechanical shock isolation reduces stand vibration
- No phantom power required
Cons
- Hypercardioid sweet spot is narrow - off-axis coloration is significant
- Heavy at 632 g - requires a sturdy boom arm
- Needs a quality preamp with adequate gain for dynamic mic levels
Electro-Voice RE320
Pros
- Variable-D technology provides consistent tone across mic distances
- Dual-curve switch doubles as a broadcast and instrument mic
- Humbucking coil rejects interference from studio equipment
- Trusted by broadcast engineers and podcast veterans alike
Cons
- Requires a preamp with solid clean gain like most dynamic mics
- Heavier form factor than handheld-style dynamics
- Less brand recognition than Shure or RODE for new buyers
The verdict
Choose Audio-Technica BP40 if
Broadcast and radio-style podcasters who want the noise rejection of a dynamic with more diaphragm surface than a standard moving coil.
The BP40 is unusual - it gives you the noise rejection and simplicity of a dynamic microphone with a capsule size closer to a studio condenser. The hypercardioid pattern is tighter than the SM7B's supercardioid, which is a serious advantage…
Choose Electro-Voice RE320 if
Podcasters and broadcasters who move around while recording and need consistent tonal response from varying distances.
The RE320 solves the proximity effect problem in a way most podcasters do not appreciate until they have lived with a mic that does not. Variable-D means your voice sounds consistent whether you are 4 inches or 10 inches from…