Heil Sound PL-2T vs Triton Audio FetHead
A side-by-side look at Heil Sound PL-2T and Triton Audio FetHead for podcasters: pricing, features, and where each one wins.
Heil Sound PL-2T
36-inch overhead broadcast boom trusted by radio professionals
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Triton Audio FetHead
27 dB of Class A FET gain in a 130mm in-line body
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Check price on AmazonAt a glance
| Heil Sound PL-2T | Triton Audio FetHead | |
|---|---|---|
| Starting price | See site | See site |
| Free plan | No | No |
| Free trial | No | No |
| Best for | Broadcast-style home studios and podcasters who want an overhead mic position with a clean, cable-managed look | Podcasters and broadcasters using low-sensitivity dynamic mics who need a slim, transparent gain stage that sits right at the mic body |
Key features
Heil Sound PL-2T
- 36-inch reach, fully articulating design
- Internal spring system, factory-balanced
- Removable cover plates for internal cable routing
- Supports up to 2.5 lb of microphone and mount combined
- Standard C-clamp for desks up to 1.5 inches thick
- 5/8-27 thread stud, compatible with standard shock mounts
Triton Audio FetHead
- 27 dB amplification at 3000 ohm load
- Frequency response: 10 Hz - 100 kHz (+/- 1 dB)
- Class A FET circuit, 22 kohm input impedance
- Powered by 24-48V phantom power, balanced XLR in/out
- Compact form factor: 130 x 30 mm
- Compatible with dynamic and ribbon microphones
Pros and cons
Heil Sound PL-2T
Pros
- Broadcast-grade build quality with decades of radio use behind it
- Internal cable routing is cleaner than external velcro routing
- Overhead position keeps the arm out of camera frame
Cons
- 2.5 lb load limit can be tight with heavy mics plus heavy shock mounts
- Overhead positioning requires more vertical clearance than front-facing arms
- Older design - no integrated XLR cable option
Triton Audio FetHead
Pros
- Extended 100 kHz frequency response adds air to dynamic mics
- Slim cylindrical body sits flush on the mic with no bulk
- Transparent Class A gain with a clean noise floor
Cons
- Requires 48V phantom power - dead without it
- Single channel only
- Slightly less gain than Cloudlifter CL-1 (27 dB vs. 25 dB - CL-1 claims up to 25 dB peak)
The verdict
Choose Heil Sound PL-2T if
Broadcast-style home studios and podcasters who want an overhead mic position with a clean, cable-managed look.
The PL-2T has been a radio and broadcast staple for decades and transfers well to podcast studios that prioritize an overhead, out-of-frame mic position. The topless cable routing is a genuine practical advantage - the mic cable is hidden inside…
Choose Triton Audio FetHead if
Podcasters and broadcasters using low-sensitivity dynamic mics who need a slim, transparent gain stage that sits right at the mic body.
The FetHead and the Cloudlifter CL-1 compete directly for the same use case, and the choice often comes down to character versus utility. The FetHead's 27 dB gain and 10 Hz - 100 kHz bandwidth give it a slightly extended…