Sennheiser MD421-II vs Warm Audio WA-87 R2
A side-by-side look at Sennheiser MD421-II and Warm Audio WA-87 R2 for podcasters: pricing, features, and where each one wins.
Sennheiser MD421-II
A five-decade broadcast standard that defined the sound of radio news
See site
Check price on Amazon
Warm Audio WA-87 R2
U87-style FET condenser with three polar patterns at a fraction of the price
See site
Check price on AmazonAt a glance
| Sennheiser MD421-II | Warm Audio WA-87 R2 | |
|---|---|---|
| Starting price | See site | See site |
| Free plan | No | No |
| Free trial | No | No |
| Best for | Podcasters and journalists who want reference-class broadcast sound with decades of real-world validation | Studio-focused podcasters who want professional multi-pattern condenser flexibility without spending on a Neumann |
Key features
Sennheiser MD421-II
- Cardioid dynamic XLR, no phantom power required
- Frequency response 30 Hz to 17 kHz
- Five-position bass roll-off switch for proximity control
- Suitable for high-SPL sources including percussion and brass
- Three-point clip for secure boom arm or stand mounting
- Proven in broadcast and studio environments since the 1960s
Warm Audio WA-87 R2
- Frequency response 20 Hz to 20 kHz
- Switchable 80 Hz high-pass filter and -10 dB pad
- Large-diaphragm FET condenser XLR, requires 48V phantom power
- Three polar patterns: cardioid, omni, and figure-8
- NOS Fairchild transistor and Cinemag USA output transformer
- Maximum SPL 125 dB (132 dB with pad engaged)
Pros and cons
Sennheiser MD421-II
Pros
- Five-position bass roll-off offers precise proximity effect control
- Decades of proven broadcast reliability
- Handles extremely high SPL without distortion
- Versatile - voice and loud instruments equally well
Cons
- Expensive relative to other dynamic mics at this feature level
- Requires significant clean preamp gain
- Proprietary three-point clip takes adjustment to use confidently
Warm Audio WA-87 R2
Pros
- Three polar patterns enable cardioid, omni, and figure-8 recording configurations
- Premium passive components (Fairchild NOS transistor, Cinemag transformer) at accessible price
- U87-inspired voicing with full, present character
- High SPL ceiling handles a wide range of sources
Cons
- Condenser sensitivity demands acoustic treatment
- Requires 48V phantom power
- Multi-pattern capability is underutilized in basic solo podcast setups
The verdict
Choose Sennheiser MD421-II if
Podcasters and journalists who want reference-class broadcast sound with decades of real-world validation.
The MD421-II is not trendy, but it has been in more professional broadcast environments than any other dynamic microphone alive. The five-position bass roll-off is not a gimmick - each position meaningfully changes the low-frequency character, giving you a degree…
Choose Warm Audio WA-87 R2 if
Studio-focused podcasters who want professional multi-pattern condenser flexibility without spending on a Neumann.
The WA-87 R2 is the most honest U87 homage on the market - Warm Audio builds it with premium passive components and does not hide what they are doing. The cardioid pattern sounds full and detailed, with the characteristic presence…