sE Electronics RF-X Reflection Filter vs Triton Audio FetHead
A side-by-side look at sE Electronics RF-X Reflection Filter and Triton Audio FetHead for podcasters: pricing, features, and where each one wins.
sE Electronics RF-X Reflection Filter
Four-layer portable isolation shield for home studio vocals
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Triton Audio FetHead
27 dB of Class A FET gain in a 130mm in-line body
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Check price on AmazonAt a glance
| sE Electronics RF-X Reflection Filter | Triton Audio FetHead | |
|---|---|---|
| Starting price | See site | See site |
| Free plan | No | No |
| Free trial | No | No |
| Best for | Home studio podcasters and vocalists who record in acoustically untreated rooms and need to reduce room reflections without building a vocal booth | Podcasters and broadcasters using low-sensitivity dynamic mics who need a slim, transparent gain stage that sits right at the mic body |
Key features
sE Electronics RF-X Reflection Filter
- Four-layer acoustic design: composite panel, wool, air gap, acoustic foam
- Dimensions: 410 x 310 x 200 mm
- Weight: approx. 1.6 kg
- Mounts on any standard mic stand via included thread adapter
- US and European thread adapter included
- Hand-assembled at sE's factory
Triton Audio FetHead
- 27 dB amplification at 3000 ohm load
- Frequency response: 10 Hz - 100 kHz (+/- 1 dB)
- Class A FET circuit, 22 kohm input impedance
- Powered by 24-48V phantom power, balanced XLR in/out
- Compact form factor: 130 x 30 mm
- Compatible with dynamic and ribbon microphones
Pros and cons
sE Electronics RF-X Reflection Filter
Pros
- Multi-layer design absorbs and diffuses more evenly than foam-only alternatives
- Portable solution for recording in non-treated rooms
- Compatible with any standard mic stand
Cons
- Adds significant weight to the mic stand - ensure the stand is stable
- Does not replace room treatment for full-spectrum acoustic control
- Bulky to store when not in use
Triton Audio FetHead
Pros
- Extended 100 kHz frequency response adds air to dynamic mics
- Slim cylindrical body sits flush on the mic with no bulk
- Transparent Class A gain with a clean noise floor
Cons
- Requires 48V phantom power - dead without it
- Single channel only
- Slightly less gain than Cloudlifter CL-1 (27 dB vs. 25 dB - CL-1 claims up to 25 dB peak)
The verdict
Choose sE Electronics RF-X Reflection Filter if
Home studio podcasters and vocalists who record in acoustically untreated rooms and need to reduce room reflections without building a vocal booth.
The RF-X is the entry-level product in sE's Reflexion Filter line and it earns its place by solving a real problem at a reasonable cost. The four-layer design addresses a genuine weakness in cheaper foam-only alternatives: the combination of materials…
Read the full sE Electronics RF-X Reflection Filter review →
Choose Triton Audio FetHead if
Podcasters and broadcasters using low-sensitivity dynamic mics who need a slim, transparent gain stage that sits right at the mic body.
The FetHead and the Cloudlifter CL-1 compete directly for the same use case, and the choice often comes down to character versus utility. The FetHead's 27 dB gain and 10 Hz - 100 kHz bandwidth give it a slightly extended…