Head to head

Rode SM6 Shock Mount vs Rode WS2 Windshield

A side-by-side look at Rode SM6 Shock Mount and Rode WS2 Windshield for podcasters: pricing, features, and where each one wins.

Rode SM6 Shock Mount

Studio shock mount with a two-axis detachable pop filter included

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Rode WS2 Windshield

Foam windshield designed for Rode large-diaphragm studio mics

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At a glance

Rode SM6 Shock MountRode WS2 Windshield
Starting priceSee siteSee site
Free planNoNo
Free trialNoNo
Best forHome studio podcasters and vocalists who want mechanical vibration isolation and plosive control in a single combined unit for compatible Rode micsHome studio podcasters using Rode studio condensers or broadcast dynamics in imperfect acoustic environments with drafts or HVAC noise

Key features

Rode SM6 Shock Mount

  • Suspension shock mount for Rode large-diaphragm mics
  • Compatible with K2, NTK, NT1-A, NT2-A, NT1000, NT2000, Procaster, Podcaster
  • Detachable pop filter with two axes of adjustment and telescoping arm
  • 5/8-inch thread, 682 g total weight
  • Dimensions: approx. 210 x 133 x 210 mm
  • Isolates from vibration and handling noise

Rode WS2 Windshield

  • Foam construction, 10 g weight
  • Dimensions: approx. 110 mm H x 85 mm W/D
  • Compatible with NT1-A, NT2-A, NTK, K2, NT1000, NT2000, Podcaster, Procaster, Broadcaster
  • Attenuates wind noise and plosive bursts
  • Designed specifically for Rode large-diaphragm mics

Pros and cons

Rode SM6 Shock Mount

Pros

  • Pop filter and shock mount combined removes two line items from your kit list
  • Two-axis pop filter positioning is precise and stable
  • Premium Rode build quality throughout

Cons

  • Rode mic compatibility only - will not fit other brands
  • Heavier than a standalone shock mount
  • Pop filter is fabric mesh - some prefer metal mesh for durability

Rode WS2 Windshield

Pros

  • Exact-fit design for Rode large-format mics with no improvisation needed
  • Negligible weight addition to the mic
  • Useful in outdoor or drafty indoor environments

Cons

  • Rode-specific fit - not compatible with non-Rode microphones
  • Foam accumulates dust and debris over time
  • Not a substitute for a pop filter on close vocal recording

The verdict

Choose Rode SM6 Shock Mount if

Home studio podcasters and vocalists who want mechanical vibration isolation and plosive control in a single combined unit for compatible Rode mics.

The SM6 bundles two necessary accessories - a shock mount and a pop filter - in a package that is purpose-built for Rode's mic lineup. The dual-axis pop filter positioning is genuinely thoughtful: you can dial in the exact angle…

Read the full Rode SM6 Shock Mount review →

Choose Rode WS2 Windshield if

Home studio podcasters using Rode studio condensers or broadcast dynamics in imperfect acoustic environments with drafts or HVAC noise.

The WS2 is a focused, utilitarian product: it fits Rode large-format mics correctly, adds minimal mass, and reduces wind and plosive problems in spaces with air movement. It is not a replacement for a proper pop filter for close-mic vocal…

Read the full Rode WS2 Windshield review →

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