Head to head

Cloudlifter CL-1 vs Rode PSA1+

A side-by-side look at Cloudlifter CL-1 and Rode PSA1+ for podcasters: pricing, features, and where each one wins.

Cloudlifter CL-1

Up to 25 dB of transparent gain for passive dynamic and ribbon mics

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Rode PSA1+

The broadcast boom arm standard, upgraded with spring damping

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At a glance

Cloudlifter CL-1Rode PSA1+
Starting priceSee siteSee site
Free planNoNo
Free trialNoNo
Best forPodcasters running low-output dynamic mics like the Shure SM7B, Electro-Voice RE20, or any ribbon mic into an interface or recorder with weak preampsPermanent desk studio setups with heavy broadcast microphones like the Shure SM7B or Rode PodMic

Key features

Cloudlifter CL-1

  • Up to +25 dB of gain for passive microphones
  • Draws power from standard 48V phantom power
  • Does not pass phantom voltage to the mic - ribbon-safe
  • 3 kohm input impedance, Class A JFET circuit
  • Rugged solid steel chassis with XLR in/out
  • Handcrafted in Tucson, Arizona; limited lifetime warranty

Rode PSA1+

  • Supports microphones from 94 g to 1.2 kg weight range
  • 37" horizontal reach and 34" vertical travel
  • Spring damping for smooth, controlled arm movement
  • Fully integrated internal cable management channel
  • 360-degree rotation at base and elbow
  • Mounts via C-clamp or threaded desk insert (both included)

Pros and cons

Cloudlifter CL-1

Pros

  • Essential fix for low-output dynamics like the SM7B on underpowered preamps
  • Ribbon-safe - blocks phantom power from reaching the capsule
  • Transparent gain character with no audible coloration

Cons

  • Requires 48V phantom power from the downstream device
  • Single-channel only - two mics need two units
  • Adds an extra XLR connection in the signal chain

Rode PSA1+

Pros

  • Spring damping makes repositioning smooth and precise - clear upgrade over PSA1
  • Internal cable routing keeps the desk clean without aftermarket cable clips
  • Weight range handles every major broadcast mic including heavy-hitters like SM7B

Cons

  • Fixed desk installation - not designed to pack away or travel
  • Full extension requires significant desk clearance around the mic position

The verdict

Choose Cloudlifter CL-1 if

Podcasters running low-output dynamic mics like the Shure SM7B, Electro-Voice RE20, or any ribbon mic into an interface or recorder with weak preamps.

The Cloudlifter CL-1 solves a specific problem cleanly: the Shure SM7B and similar broadcast dynamics need roughly 60 dB of clean gain to hit a healthy recording level, and many interfaces and portable recorders cannot deliver that without audible noise.…

Read the full Cloudlifter CL-1 review →

Choose Rode PSA1+ if

Permanent desk studio setups with heavy broadcast microphones like the Shure SM7B or Rode PodMic.

The original PSA1 was already the default choice for serious desk studios, and the PSA1+ genuinely improves on it. The spring damping makes positioning feel deliberate rather than floppy, and the internal cable channel is a real quality-of-life improvement -…

Read the full Rode PSA1+ review →

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