Electro-Voice RE20 vs Sennheiser e835
A side-by-side look at Electro-Voice RE20 and Sennheiser e835 for podcasters: pricing, features, and where each one wins.
Electro-Voice RE20
The radio broadcaster's mic that has been in studios since 1968
See site
Check price on Amazon
Sennheiser e835
Touring-grade dynamic vocal mic that translates cleanly to the podcast setup
See site
Check price on AmazonAt a glance
| Electro-Voice RE20 | Sennheiser e835 | |
|---|---|---|
| Starting price | See site | See site |
| Free plan | No | No |
| Free trial | No | No |
| Best for | Broadcast professionals and serious podcasters who want proximity-effect-free dynamics and radio-quality vocal tone | Podcasters who also perform live and want one mic that covers both environments |
Key features
Electro-Voice RE20
- Dynamic cardioid, XLR only
- 45 Hz - 18 kHz frequency response
- Variable-D technology for proximity effect elimination
- Integral humbucking coil for line-noise rejection
- Bass tilt-down switch on body
- Large-diaphragm element for low self-noise
Sennheiser e835
- Cardioid dynamic XLR, no phantom power required
- Frequency response 40 Hz to 16 kHz
- Hum-compensating coil for interference rejection
- All-metal construction designed for live and studio environments
- Internal shock mounting to reduce handling noise
- Standard 5/8-inch thread mount adapter included
Pros and cons
Electro-Voice RE20
Pros
- Variable-D technology: minimal proximity effect regardless of distance
- Exceptionally consistent tone across different mic positions
- Humbucking coil eliminates interference from studio equipment
- Industry-standard reference quality for voice
Cons
- Expensive for a dynamic - significantly pricier than Rode or Shure alternatives
- Heavy - needs a quality stand or heavy-duty boom arm
- Standard beige finish looks dated (black version is a separate ASIN)
Sennheiser e835
Pros
- Slightly more open upper midrange than SM58 - works well for some voices
- Hum-compensating coil useful near home studio electronics
- Robust metal housing - stage-proven durability
- Accessible price point
Cons
- Less built-in plosive protection than SM58 - pop filter recommended
- Frequency ceiling at 16 kHz limits high-end extension
- Needs a capable preamp for broadcast-level gain
The verdict
Choose Electro-Voice RE20 if
Broadcast professionals and serious podcasters who want proximity-effect-free dynamics and radio-quality vocal tone.
Variable-D is the defining spec here - you can move around the RE20, speak off-center, or position it slightly differently from session to session and the tone stays remarkably consistent. That consistency is why radio stations still have racks of…
Choose Sennheiser e835 if
Podcasters who also perform live and want one mic that covers both environments.
The e835 is the SM58's closest comparable from Sennheiser, and the comparison is instructive: the e835 tends to sound slightly more open in the upper midrange, which some voices prefer for spoken word. The hum-compensating coil is a practical feature…